(no subject)
Jul. 26th, 2003 03:54 pmSo here's the thing about The Truth About Charlie. I don't think it's a great movie--the plot is overstuffed, and the director's attempt to make all of the characters sympathetic is undernourished and confusing. But watching it makes me fall absolutely (if briefly) in love with Paris--cheaper and probably more effective than a plane ticket--so I'm fond of the movie.
Jonathan Demme's DVD commentary is good too. Within the first minute, he explains that a primary motivation for him was to shoot a movie in the city where many of his filmmaking heroes worked, and in fact the whole movie acts as a sort of tribute to the French New Wave. Demme points out many of the cameos and stylistic elements that most filmgoers would, like me, miss.
He says he was inspired by the notion that in the early 60s, Stanley Donen was filming Charade in Paris while at the same time, in the same city, Truffaut, Godard, and the rest of the Nouvelle Vague were developing their shoot-from-the-hip cinematic style. And indeed, Charade--provided on the flip side of the DVD--is quite a contrast. Charade, with the exception of a couple of outdoor locations, could easily have been filmed on Hollywood sets, with a handful of French actors flown in for local color. The newer film's Paris is multicultural, multilingual, crowded, and always in motion, and the excitement of the location pervades the whole movie. And, yeah, that's what I love.
Jonathan Demme's DVD commentary is good too. Within the first minute, he explains that a primary motivation for him was to shoot a movie in the city where many of his filmmaking heroes worked, and in fact the whole movie acts as a sort of tribute to the French New Wave. Demme points out many of the cameos and stylistic elements that most filmgoers would, like me, miss.
He says he was inspired by the notion that in the early 60s, Stanley Donen was filming Charade in Paris while at the same time, in the same city, Truffaut, Godard, and the rest of the Nouvelle Vague were developing their shoot-from-the-hip cinematic style. And indeed, Charade--provided on the flip side of the DVD--is quite a contrast. Charade, with the exception of a couple of outdoor locations, could easily have been filmed on Hollywood sets, with a handful of French actors flown in for local color. The newer film's Paris is multicultural, multilingual, crowded, and always in motion, and the excitement of the location pervades the whole movie. And, yeah, that's what I love.
no subject
Date: 2003-07-27 12:18 am (UTC)no subject
Date: 2003-07-27 01:28 am (UTC)no subject
Date: 2003-07-27 09:54 am (UTC)Kind of a pity they're not talking about the film, but that's much better than the commentaries where the people just forget to talk about for long, long stretches.
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Date: 2003-07-27 01:04 pm (UTC)i also like the fact that Demme has tried so many different things; he's a really diverse director. of course, one of my favorite movies by him is Storefront Hitchcock.
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Date: 2003-07-27 01:42 pm (UTC)